Measure it. Mark it up. Hand it on.

Waveform, RGB parade, vectorscope and histogram, computed on the GPU off the graded frame. Then the checks you actually reach for — each on its own key — and notes that carry a grade, not just an opinion.

A multi-layer OpenEXR render sequence playing in MPT from the RAM cache, with scopes attached. — “RockPink”, render by Rui Rocha

A film frame in MPT's false-colour mode, with exposure zones mapped to flat colours. — “BA”, a short film by Duarte Gandum

Two versions of the same EXR render compared in MPT with a vertical A/B wipe. — “RockPink”, render by Rui Rocha

noteskeys: Shift+A

Notes that carry the grade

Pen, arrow, text — saved as sidecars. A note can carry an ASC CDL, so "warm this up" arrives as something applicable. CSV, .cdl/.cc/.ccc out.

validationkeys: Shift+F · N

The checks you reach for

False colour, zebras, clip, gamut, near-black, PQ bands. Pixel inspector with code values and nits; guides, safe areas, desqueeze.

comparekeys: C

A/B, three ways

Load a second source and compare with wipe, difference or blink. Isolate R, G, B, alpha or luma.

watch · sessions

Frames as they land

Point at a render dir and the sequence live-extends off the farm. Save the review as a portable session and step through it shot by shot.

mpt export --with-view

What you reviewed is what you ship.

Exports carry the full display pipeline, view LUT included. Send a range to EXR, PNG, JPEG, TIFF, H.264 or ProRes — 8-bit as displayed, 10-bit Rec.709 or 10-bit PQ — with audio and subtitles, encoded in the background while you keep working.

Or: a scene-linear EXR for comp, a quick export with annotations burnt in, a colour-managed frame on the clipboard.

jobs~/exportsbackgroundexample

SH010_comp.exrscene-linear · f1042done
SH010_review.movprores 4444 · 10-bit pq · audioencoding
SH010_notes.mp4h.264 · annotations burnt inqueued
turntable_360.movloop-perfect · exact AOV pixelsqueued